Semiotic representation of Minsk in Viktor Martinovich’s novel “Mova”

The article aims to reveal the principles of urban space organisation in Viktor Marti­novich’s novel “Mova”. Due fact that is based on a linguistic problem (the author defines genre as “linguistic thriller”), representation city subject models and principles. main these isomorphism part whole. structural generality different levels technique inversion. There movement value poles within system oppositions, at level narrative, plot aggressor — victim, East West, centre periphery, one’s own someone else’s). generally accepted structure zones periphery changing: associated with order norm, concepts chaos, disor­ganization, deviation. opposition else’s (language, space) comes fore, which corresponds socio-cultural context Belarusian litera­ture. are structured according cultural models: or­ganized dual model, ternary one.